Episode 211- Benjamin Taylor

DISCLAIMER

Episodes 209-2011 were recorded in 2023 and have only recently been uploaded to the internet. There are some things that have changed since their recordings, so be aware that you are not listening to the most current events. Also, Robert W. Smith music is no longer distributed by Barnhouse Music but now by Alfred Music.

Benjamin Dean Taylor (born 1983), has been described as “elegant and energetic” (Kenneth Thompson) and “powerful and direct with delightful surprises in each work.” (Marilyn Shrude) Having grown up as a performer in jazz, rock, ska, country, and concert bands as well as in choirs and orchestras, Taylor is driven to write music that highlights the strengths of each performing ensemble. His catalog of more than 100 works covers a large range of styles and genres including music written for orchestra, wind band, opera, choir, jazz big band, gamelan, chamber ensembles, and soloists with live electronics. Further, Taylor has written music for multimedia collaborations with dancers, filmmakers, poets, and visual artists.

Taylor has received commissions from ensembles including the Calidore String Quartet, Omaha Symphony, Solaire Saxophone Quartet, New World Youth Symphony, and the Detroit Symphony Orchestra Civic Wind Symphony. His music has been performed by ensembles around the world including the Cleveland Chamber Symphony, American Composers Orchestra, Kenari Quartet, L’ensemble Itineraire, Nurnberg Hochschulorchester and has been championed by soloists Keith Kirchoff, Zach Herchen, and Scotty Stepp. As a sought-after composer for wind band, Taylor has been commissioned by over 100 band directors of players at all educational levels.